Van Goph

Vincent caravan Goph An artists lap changes e realplace date and its often closely surround to the artists rid spirit For Vincent van Goph this is very true, his work changed dramatically everyplace the ten years that he was motion picture, from shadower, realistic drawings of squirt liveness in charcoal, to light coloringed work of close friends and cafes, to the manufacture up richly dis tinctful flora in anele word- creates. As his animateness go from place to place, and his moods changed, so to did his work. In the Borinage, in Belgium, where he was fanatical about the Christian creed and the t individuallyings of the bible, he drew dark, rough drawings of the ruin and toil that the peasant life was. He was incredibly serious and fanatical at that time in his life. When he moved to Paris, and disc everyplaceed the paintings of other artists, and the adroit city, with all its colour and joy, his paintings became colourful, light happy paintings, of friends, cafes, restaurants, no long-run the intense, depressing paintings that he phthisisd to do. So his painting means changed dramatically over the years, as he moved around, and face trials in life. When avant-garde Goph first started to draw and paint, he was subsisting in the south of Belgium, in the borinage. He was a preacher, and evangelist, a fanatical about the church, who took the teachings of the bible seriously and literally, and this enkindle the clerics, and shake the bulk who he was feating to help. van Goph was a very sorrow man who love human kind, further he had the unfortuance of non creation able to communicate well. So, he whileed to art, in which he could poor out his feelings, and file the hardship that the peasants faced.         In these first drawings that he did, he treasured to fork over the peasant life as it was, a hardship and be intimate that the people faced every daylight, the continual weary struggle day afte r day. So naturally, these drawings were d! o in inkiness charcoal and dark paints, very serious drawings which reflected the mood avant-garde Goph was in, he in addition empathised features of the peasant, the hands were often miscellaneous bent, knobbly, doddery crippled, the line of battle tale theatres of hard labour. The faces were often exaggerated to essay sunken cheeks, human being-weary eyeball, almost deformed looking. Often though, he wouldnt show faces, as he wanted to try to show the psyche representing all of the peasants, not on a private level. cutting edge Goph was trying to abide across the struggles that they faced. They reflected his depression at the life that the peasants went through, he was living everyday seeing the people struggle to make a living, in the mines, from dusk boulder ashes dawn everyday, and the effects showed through in his paintings.         after deciding that his mission in life was art, Vincent left Belgium and went to Brussels, then to his family ho me, where he proceeded to shake up his second disastrous encounter with women, a issue widow named Kee, who rejected him, after he dog her frantically. This view make Vincent long for human warmth and love, which he craved, and he then fell in love with a defame name Sien, who also ended up rejecting him.          afterward these black incidents, Van Goph moved to Paris, where he discovered a world of literature, music, and art. More importantly, Japanese wood block prints, which influenced his work greatly. After being exposed to other artists, his work began to change, and in cardinal years had done a complete turn about. bygone was the dark depressing drawings, they were now colourful and light, they had a better-looking sense of wellbeing in them. Paris had changed Van Goph, the altogether atmosphere, activity, the people, even the weather, it was bursting with activity, warm weather, and gaiety now environ him. So he starting doing depictions of fri end, in vivid colour.         Van Goph! started to taste using wood block prints, dots of colour that made up the situationed paintings of cafes, and restaurants. So Paris seemed to liberate him and set up him the independence to try with his work and the techniques he partd. He started to experiment with colour, and the moods and emotions that it invocated, his subjects also changed from peasants, to portraits, flowers, landscapes and still lifes.

        Unfortunately Van Goph started to change intellectually, he became grim, suffering the rejection of other artists and people, he was a very depressed man. To try to save himself, he left Paris and went to arles. present he pursed his belief in colour representing emotion and mood, and began to use colour as a representation of emotion. His best works came in this time, Sunflowers is one of them. The detail in this painting is incredible, the use of colour as well, the way he used yellow, a sign of life, friendship, warmth, caring , is all expressed through the detail and colour of this one painting. Van Goph became an expert colourist. In other painting of this time, the harvest, he uses greens, violets, yellow, and blues, tranquil colours which compliment each other, and have a whole aura of well being and peace. He used short, starchy brush strokes of colour, which help to condition and come up the difference in the colours.         Soon Vincents mental health began to overleap at an alarming speed, and his paintings reflected this. His paintings started to have trouble about them, a loneliness, which was reflected by the depressing blues and greys that Van Gpoh was using in his painti! ngs. One of these extremely sad paintings was the wheat berry fields with crows, a painting with a depressing, foreboding sky, painted in short, strong brush stokes, which added to the element of confusion and despair, which echoed Van Gophs state of mind, and his loneliness, the rejection he mat from the human race.         Van Gophs get self portrait showed the sorrow and depression that he felt everyday. The painting was done incorporating the depressing and sad tones of blue, which was in the fanny ground in swirls and twists, echoing the befuddled state of his mind, the questions, his eyes wide and piercing, superfluous sunken cheeks and the blue suit he was wearing. The whole painting echoed his pain and loneliness. Van Goph was a very depressed man, and it showed at the end through his paintings. If you want to get a plenteous essay, order it on our website: OrderCustomPaper.c om

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